Ricci Tauscher’s debut single

Ricci Tauscher is a German blogger and model who combines travel vlogs with shiny and bold fashions, including latex. We previously made a post about her channel here, where we shared some of our favourite looks and enthused about her uplifting and inspiring approach to casual latex fashion in public.

Ricci’s latest daring venture is into the world of German Deep House music, releasing her first single and accompanying video called “KOMM WIR HALTEN HEUT‘ DIE WELT AN”. There is good continuity as the video combines two of Ricci’s main associations, it being a showcase of some major world cities as much as it is of latex.



And with that, we kick off 2018 for latex music videos in style. Take a look at our roundup of 2017 if you missed it.

We wish Ricci success with her project, and hope to see her show off that trademark latex joie de vivre on ever grander stages!


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Rae Morris – Someone Out There

When we are researching articles we naturally find a lot of artists that we may not have discovered otherwise had it not been for their connection with latex clothing and fashion. This is not an indictment on those artists, merely a reflection of ourselves being out of touch with the modern popular music scene!

A lot of this music we could take or leave, and our interest in the artist extends only as far as our solemn duty to document latex developments in the mainstream.

However just occasionally, we’re introduced to an artist or song which excites us, inspires us, makes us feel good, and we can’t help listening on repeat and spreading the word to those in our circle. We thank latex for such discoveries!

And so it was late last year as we watched Rae Morris when performing her new single Do It for the BBC’s Live Lounge. Rae wears a red latex body which looks fabulous on her under the dim red lights of the close-up, intimate studio environment. Rae’s joy in the performance is as infectious as the song, her vocals sharp and distinct, and the melody and electronic production right up our street. We’re happy to say that with Rae we came for the latex, and stayed for the music.



The official music video is also an upbeat and joyous watch.

In the live lounge, Rae is wearing a red version of the latex body by Kim West which she also wears on the cover for her album Someone Out There. The album is released on the 2nd of February and can be preorded here: https://lnk.to/someoneoutthere?ref=http%3A//raemorris.co.uk/


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Tina Karol’s latex mania

In a recent Q&A, Rebecca Allsop said the following in relation to her discovery of latex:

It is an incredibly moreish material. Whether you’re making or buying, you always have the next outfit you want lined up almost before you’ve bought/made the first piece.

This nicely encapsulated a post we made in September, titled They Always Come Back For More, where we looked at a pattern of performers discovering latex and returning to it again and again: evidence that latex is indeed, as Rebecca says, ‘moreish’. Some of us would go even further and use more emotive words to describe our attraction: latex can be an obsession, it can be an addiction, and it can be a fetish.

Whatever the degree of fascination, we can generalise that latex often makes an indelible impression on those that try it, and some just can’t get enough of it.

And so, without further ado, we present Ukrainian pop idol Tina Karol:


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We can trace Tina’s public love affair for latex back to the release in May last year of her music video ‘Ya Ne Perestanu’, in which she and a coterie of clones wear red latex stockings. She and her backup dancers would go on to wear the same for a number of live performances of the song.



All was quiet for some time until the 11th of November when Tina kicked off a veritable latex binge with an appearance on the live comedy sketch show League of Laughter. Tina was wearing a red Linde Pencil Dress by Atsuko Kudo, and it was to be the start of an all-out media blitz of latex, Tina’s every appearance being a showcase of her favourite latex designer.



On the 15th of November, it was in attendance to the Viva! Ball 2017, this time in a black Eden Corset Dress, where she was interviewed for the show Svitske Zhittya, or “Society Life”. Of course, her outfit one of the main topics for discussion:



Katya: In case our viewers didn’t notice, this is a rubber dress on you. Rubber woman – beautiful!

Tina: This is latex couture. I bought this dress in a special store of a Japanese designer. It’s actually unbelievably technologically complex. It’s really couture.

Katya: This dress is stitched, more precisely, is glued especially to your size?

Tina: Yes. But I don’t betray my style: it’s still my length, it’s still retro, and it’s still Tina Karol.

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On the 9th of December, it was off to the M1 Music Awards. For this event, Tina even wore the red Linde dress for official promotional material and graphics. However, in attendance for the live event itself, Tina wore a new dress – the Paris Cup Pencil Dress in custom green – which she showed off when collecting her two awards for the night: best artist and best music video. That’s not all: for a live performance at the same event, Tina and her backup dancers were wearing transparent lilac latex leggings. This is true latex mania!


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In late December, another interview was aired on Society Life, Tina wearing the Paris Cup Pencil Dress but in the more familiar light brown colour. What’s more, Tina has also worn this dress to perform live, as can be seen in the video below. The interviewer comments on Tina’s beautiful appearance but there was no reference specifically to latex this time. We guess by now the presenter had become used to Gumova Zhinka – the Rubber Woman.



Finally, to cap the year off, Tina appeared on the channel Ukraina for a new year celebration, wearing a long white ball gown with transparent panels. You might call this outfit a somewhat patriotic choice for Tina, because for the first time this latex dress was not an Atsuko Kudo design, but instead a custom commission from Ukraine’s very own Bright&Shiny latex. It’s also something of an evolution, in the sense of expanding out from the comfort zone of one’s trusted designer and off the shelf designs to wearing a whole new creation, custom made by a new designer.



As for what 2018 might bring and whether Tina Karol will continue flaunting her latex love, we’ll be on the lookout. We do know that there were several promotions and TV shows already filmed in 2017 with Tina wearing latex that have yet to air: at the top of this post you can see at least one of them, Tina wearing the light brown paris pencil dress during filming for The Voice of Ukraine (Golos Krainu). Follow us on twitter for smaller updates, and if the content is really special we’ll follow up with another dedicated post.

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Our Top 10 Music Videos of 2017

Another year, another raft of music videos featuring latex outfits. There were the usual suspects but also many complete newcomers to latex fashion and imagery. In a few cases, latex was an artistic representation of futuristic fashion or empowerment and submission; in other cases, it was not a meta-representation of ‘fashion’ but simply fashion in itself. And there is always, of course, room for latex as simple, unpretentious sexy fun.

Outfits were sourced from couture latex designers spanning the globe, from Vex Clothing, Syren and Dawnamatrix in the US, to Kim West, Atsuko Kudo and Maddrubb in Europe, and Atelier Harlem in Australia.

And so, in reverse order: our top 10 favourite music videos of 2017. Click the song titles for a more detailed post or a direct link to the video itself.



Fergie – You Already Know (ft. Nicki Minaj)
Fergie wears one of our favourite garments, justifiably popular among a long line of performers. So much so, that we even wrote a whole post dedicated to the Syren Garbo Blouse.




Black M – Comme moi (ft. Shakira)
Shakira was that rare pop icon who avoided experimenting with a latex look over the length of her extended career. Until 2017, that is. The wait was worth it, as this nude latex bodysuit is the ideal ‘second skin’, clinging to Shakira’s every twisting and undulating movement.




Migos, Nicki Minaj, Cardi B – MotorSport
Nicki Minaj is one of those stars who fell for latex hard this year, appearing in a multitude of videos, live appearances, and social media posts wearing her newfound favourite material. But we think she saved the absolute best outfit for MotorSport in December. For the Blade Runner-style neon sci-fi setting, they opted for a chrome and transparent future fashion combo: the look is achieved with no less than a head to toe semi-transparent catsuit!




Taylor Swift – Look What You Made Me Do
Taylor Swift wears an orange Atsuko Kudo bra in an early scene, though it’s a mere tantalising hint of latex before she appears in full dominatrix-queen regalia around the 1 minute 50 mark, looking the cruel despot, oozing power. Granted, the screen time is all too short, but nobody can deny she looks devastating.




Janel Parrish – Dance For Me
This video is ridiculously over the top, with four women in red and black catsuits, writhing around between smoke, mirrors and lasers. But it gets away with it by being half parody: Janel Parrish plays a fictional singer within the Rosewood TV series, and this is the music video filmed in-show, then released independently as a cross-promotion. We quite admire the self-awareness of latex being a music video trope, but even at face value what’s not to like about four dancers in tight, shiny, head to toe rubber?




Pixie Lott – Won’t Forget You (ft. Stylo G)
The latex bodysuit has been one of the vogue items for performers, featured in five of the videos on this list alone. Here Pixie Lott wears a bright pastel green which fits the bright and fresh summery vibe of this video and the single.




Katy Perry – Chained to the Rhythm (ft. Skip Marley)
We are back to future fashion for Chained to the Rhythm. Despite this future being a different, Brave New World-style vision of dystopia – one of pastel colours and endless stimulations – chrome, transparent and otherwise reflective clothing still rule the day. Latex is just one of a number of materials that fit into this vision, and we love Katy’s look in the latter half of the video especially. Extra points for the catchy retro 80s synthpop and what it tries to tell us.




Kimbra – Top of the World
It’s Kimbra, “smashing shit up in latex”, and that must feel as good as it looks. Care was taken to make sure the choice of outfits were a representation of the lyrics in each scene, and Kimbra dons the latex for a climactic verse in which she tells us she feels “Like a god”. If you’ve ever dressed up in latex, that may well resonate with you.

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Reyko – Spinning Over You
Latex takes front and centre stage in this debut video by Reyko, thanks to solid primary and secondary colours, set to maximum shine on a minimalist set. The dancers wear the ubiquitous latex bodysuit, however the real star is the luscious yellow midi dress worn by the main singer. This combines two great visual and tactile effects of latex: the figure-hugging second skin on top, and relaxed and loose at the bottom. Seeing the unique weight of loose latex in motion, and how it falls and flows freely while catching the light is one of its stand out qualities, here exploited to maximum effect against the black background.




Katy Perry – Bon Appétit (ft. Migos)
The imagery in Bon Appetit is a visual feast. Even apart from the latex, the scenes are arresting and provocative but also playful, as Katy Perry wryly serves up another course of her social commentary. The latex is plentiful, in transparent nudes, pinks and lilacs. The nudes are like a call back to the shrink wrapping covering Katy at the start of the video, while the pink becomes a mouthwatering glaze as she is served up, all prepared and fit for presentation. When it’s time for the big reveal, Katy in fact covers up: a lilac kimono materialises over her existing outfit; a reflective armour, latex layered upon latex; Katy revels in the moment as power is turned on its head.

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Yana Dyakova performs opera in latex

Bolshaya Opera is a TV talent show on Russian channel Telekanal Kultura, and earlier this month the contestant Yana Dyakova performed aria della bellezza wearing a black and white latex catsuit and inflatable headpiece.



Latex doesn’t discriminate when it comes to musical genre: In one moment we may be watching Nicky Minaj rapping in consciously trashy latex for Jason Derulo’s Swalla, and in the next we can switch over to the arts channel and see an aria performed in a catsuit!

What’s more, neither of the outfits are out of place. Latex is continually breaking boundaries and confounding expectations. Latex is for whatever your imagination wills it to be.

Yana’s look is styled by her compatriot, the performance artist Sasha Frolova. The catsuit + inflatable head piece is Sasha’s signature look when performing for her music project AQUAAEROBIKA, though Sasha also adds a mask to the ensemble. It’s another demonstration of the varied contexts latex can be adapted to, this being ultra saccharine electro-pop:



And check out this video interview with Sasha Frolova in which she discusses her reasons for working with the material, and her fascination for its unique properties and contradictions here.

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Kimbra – Top of the World


Kimbra’s ‘Top of the World’ is that desired combo: a great song paired with a visually impressive and artistic video which makes use of latex. Adding a little context makes the whole experience all the more perfect, especially when this Behind The Scenes video makes it obvious how much thought was put into the choice of costume for each segment of the video. In Kimbra’s words:

One of the more exciting processes of making a video, for me at least, is conceptualising the fashion and the growth of outfits […] I like when the clothes seem an expressive part of giving the audience a way into the lyric further.

It’s telling that latex enters in the final third where Kimbra acts her most emboldened – feeling “like a god” – while social conditioning and limiting beliefs come crashing down around her. How good that must have felt. Take it from Kimbra herself:

Smashing shit up in latex = my favorite part of the new music video.

It’s an oft-held view that besides its visual allure latex offers a sensation which makes the wearer feel super-powered. Often born of this feeling is a desire and need to transgress social constructions and conventions through self-actualisation. I can think of no better choice of costume for the climactic act of a song entitled ‘Top of the World’.

Irina Rimes at the Media Music Awards 2017

Irina Rimes is a Moldovan performer based in Romania, and on Tuesday she attended the Media Music Awards 2017, winning the Best New Artist award.

There was no such Best Costume award, but if there had been then she would have had that in the bag too.


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Prior to the event, Irina was interviewed on the ‘Green Carpet’ and asked about her costume. We don’t have a word for word translation, but we understand Irina had a desire to dress in a quirky maid outfit for sometime, before the award ceremony finally granted her the opportunity with its “Cool Vibe” themed dress code.



Okay, latex looks cool, but how do you stay cool wearing it in the warm Romanian climate? Apparently not a problem for Irina: she didn’t find perspiration an issue, instead noting the unique sensory qualities of latex and its ability to heighten sensations of warm and cool at turns.

At least, that was what she said BEFORE her stage performance!



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This Virginie Maid Outfit was designed by Libidex, originally commissioned for a promo for Henry Cotton’s Fall Winter 2013/14 catalog. The promo itself is a sight to behold, taking the signature Henry Cotton blend of authentic British style and timeless Italian elegance and combining it with… latex-clad robot house servants. As you do.

Take a look:



Here is further information from Libidex about the original commission.


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CoCoSoRi’s Crowdfunded Comeback

CocoSori are a Korean pop duo who first came to our attention in 2016 with the release of their first single Dark Circle. The video featured the duo wearing Atsuko Kudo maids’ uniforms in pink and turquoise:



CoCoSoRi would go on to perform live numerous times in the same costumes, sometimes in red or black variants:


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For some months all was quiet on their channel, until last week when they announced they had taken to Kickstarter in an effort to fund a new music video. At the time of writing, they have already exceeded their ¥2,000,000 ($17,388) goal with 12 days to go. The Kickstarter page itself is in Japanese, but check out the pitch below also in English:



We congratulate the girls on their successful campaign, though with a slight pang of loss we note that as part of their funding drive the group offered up their latex outfits as rewards for the higher brackets, and these have all been snapped up. And with that, it looks like this is the last we’ll see of the iconic dresses. But who knows, with 12 days to go if the campaign meets some stretch goals maybe there’ll be enough extra cash to fund another trip to London and another Atsuko Kudo shopping spree?!

Watch below to see CoCoSoRi’s original visit to AK for fittings for the famous maid uniforms:


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St. Vincent and Latex

St. Vincent is musician Annie Clark and she’s recently released several short clips which appear to be a satire of the interview circuit. Not being aware of her output, I don’t know whether to take them as promotions in themselves, a purely creative endeavour, just a way of having a laugh, or all of the above. But the point is there is latex!

While answering parody questions, St. Vincent is sat wearing a latex skirt and the lovely Syren Garbo blouse, which is so deservedly popular that we wrote an entire article just on this one garment.

There are 13 clips in total, each no more than 30 seconds long which you can see on her instagram. I’m posting just one here, but it’s the one which I think shows off the most of her outfit:



Now, the videos are so tongue-in-cheek you might be forgiven for thinking St. Vincent picked her clothes purely to poke fun at prevailing pop fashion trends. But in fact she has worn latex in the past in different contexts, and it’s totally her style. She’s one of us!



Here St. Vincent is performing at the Singapore Laneway Festival, 2015


My favourite, though, is a different black rubber dress, one which she wears in this video to present a guitar of her own design:



I’m enamoured with this look. Different from the high-gloss, reflective latex we usually know and love to see, this dress has a fine powdery finish. Anyone who has ordered latex clothing by post will be reminded of the light, even application of talc covering their new garments, inside and out, in order to prevent the latex from sticking to itself during shipping. The talc makes the rubber silky smooth and easy to get into, which is much appreciated when opening a new purchase, since you want to almost jump into the clothes out of excitement. And if the clothes are designed to be loose, then the material just brushes lightly on the skin as it drapes and hangs, cool to the touch when it comes into contact.

It’s this kind of unpretentious, raw & unpolished, silky new finish which I’m reminded of by this dress. It’s a rubber dress, but it’s carefree, casual and relaxed. That exciting immediacy of just jumping into some soft, loose latex without planning nor preparation. Impulsive. Latex for lounging on a (sensuous) Sunday?

The look is edgy, the feeling soft & delicate, and I’m 100% absolutely certain Annie was very, very comfortable wearing it.




They always come back for more

I’m going to posit that there exists a law of nature when it comes to latex and pop stars: there are those who haven’t tried latex, and there are those who just can’t stay away from it. No middle ground. Nuh-uh.

Of course, I may be over-generalising a little, but it really seems to be getting harder to find incidents of performers wearing latex just once and deciding it’s not for them. Rather, they come back for more. We at WearLatex find this perfectly understandable and expected behaviour!

Now of course you could draw up a long list of artists to have appeared in latex on more than one occasion, but here we’re going to round up some of the examples presented in just the last couple of weeks.

Taylor Swift first appeared in latex (along with a raft of co-stars likewise wearing latex) in her music video Bad Blood. Latex was provided by the likes of Syren and Atsuko Kudo. Well, Taylor has returned to AK for her latest high budget video, Look What You Made Me Do. She wears this orange Miss T Bra in an early scene, though it’s a mere tantalising hint of latex before appearing in full dominatrix-queen regalia around the 1 minute 50 mark. Granted, the screen time is all too short, but nobody can deny she looks devastating.



Nicki Minaj has been on a veritable latex binge for the whole of 2017. I first became aware of it with the video for Jason Derulo’s Swaller, and since that time she has been rather active in sharing her latex addiction on instagram. It kind of came full circle late August, wearing a few latex outfits (together with Blac Chyna) for yet another MV: Rake it Up by Yo Gotti. However, the real chatter came soon afterwards, with her appearance at the MTV Video Music Awards. She arrived in this eye-wateringly tight pink outfit by Vex Clothing; a look befitting of her ‘Barbie’ moniker. Later on the same evening, she swapped the pink for black and white latex in order to perform.


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Charli XCX performed at G-A-Y London on August 26th and was wearing her favourite latex label, Meat Clothing. We’ve previously written about Charli and her love of the brand here. Suffice to say, Meat are unconventional in the latex fashion space, and that suits Charli XCX fine.


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It’s fantastic that latex is available in such a diversity of looks, and this variety will only widen as more and more designers enter the field. Wearing latex doesn’t have to be a style in itself, but merely an additional medium in which a plethora of existing styles can be rendered in a highly interesting, sexy, sensual way. No matter the genre, the musician, or the persona, there should be latex available to suit (or indeed transform) anybody.